Sculpture + installation
Installation view: Where there is smoke, digital print on vinyl, iron, oxidisation, concrete, wood, mdf, synthetic polymer.Digital collage from images sourced from the collections of the State Library of Western Australia and reproduced with the permission of the Library Board of Western Australia
Detail: Where there is smoke, 2018, digital print on vinyl, iron, wood, mdf, synthetic polymer Digital collage from images sourced from the collections of the State Library of Western Australia and reproduced with the permission of the Library Board of Western Australia
Detail: Where there is smoke, 2018, found objects, concrete, plastic, synthetic polymer
Detail: Where there is smoke, 2018, found objects, resin, synthetic polymer
Installation view: Where there is smoke, 2018, found objects, synthetic polymer, resin
Installation view: Where there is smoke, digital print on vinyl, iron, oxidisation, concrete, wood, mdf, synthetic polymer. Digital collage from images sourced from the collections of the State Library of Western Australia and reproduced with the permission of the Library Board of Western Australia
Installation view: Where there is smoke, found objects, UV light, synthetic polymer
Installation view: Where there is smoke, 2018, found objects, iron, oxidisation, concrete, wood, mdf, synthetic polymer
Time is upon us,2014, Australian native plants (eucalyptus, melaleuca, agonis) wood, concrete render
aband0n_all_h0pe, 2016, carved XPS foam, modified gypsum, acrylic paint, salvaged wood and metal from abandoned sites, cable reel, rope
You too must seek the sun, 2014, corn, rice, sugar, wheat, quinoa, poppy seed, sesame seed, mustard seed, lentil, azuki bean, chick pea, mung bean, dhal, tapioca, wood, metal coating
Age of reproduction, 2016, laser print on PETG plastic, 60x40cm
Detail: Detritus of dead epochs – White Hare, 2015, Wood, polystyrene, acrylic coating
Detail: Detritus of dead epochs- Mass transfer, 2015, wood, scientific glass, rope, roe deer hoof, honey, water, sunflower oil.
Installation view of Spinnerei Rundgang for Pilotenkueche residency.
Paintings: Jenny Brosinski, When you broke my chest, Get something shiny (oil and spray on canvas)
Sculpture: Jenn Garland (wood, concrete rubble, polystrene, acrylic coating, mdf, Silver birch leaves, Tillandsia, Canada Goldenrod)
Poison the Well, 2015, Honey, wood, mdf, acrylic coating
Transmutation, 2012, reclaimed jarrah, metal alloy
The time will come, 2012, Wood, concrete render, iron coating, oxidisation
Photographer: Bo Wong
The time will come, 2012, Honey, wood, concrete render, iron & brass coating, oxidisation
Photographer: Bo Wong
Production of sacred things, 2012, red wine, concrete render, wood, acrylic, salt, video projection of soundwaves through milk
Detail: Production of sacred things, 2012, red wine, concrete render, perspex, wood, mdf
Honey in honour of bees, 2011, Wood, acrylic paint, projection of honey pour performance